On sale to the general public April 17 at 10 a.m.

Vidura Bandara Rajapaksa returns with Paradise Gothic, a sharp, darkly funny new hour exploring immigration, “radical” buddhism, and the absurdities of attempting to build a life within late-stage capitalism. With his trademark deadpan delivery and postcolonial wit, Vidura takes on corporate tech culture, spiritual burnout, and the strange comedy of trying to stay human in a world running by numbers. Smart, subversive, and quietly explosive; this is Vidura at his most fearless.

All sales are final. Refunds and exchanges are offered only when a show is canceled or rescheduled.

Admission Policies

• Patrons must be 18 or older to attend events or classes at the DC Improv. Any exceptions are clearly noted in the event descriptions.
• There is a two-item minimum per customer. This can be any combination of food items or beverages. Bottled water and soft drinks count as items. (The two-item minimum does not apply to comedy classes.)
• Coupons or passes for free admission cannot be used for a show listed as a "special event."

Seating Policies

• Matinees, the first show of any evening in our main showroom and all shows in our lounge showroom are seated by time of arrival. The earlier you arrive, the more options you'll have. Please note that the size of your party can affect what options are available to you, as certain tables and areas are designated for larger parties.
• "Late shows" in the main showroom have assigned seating. Assignments are made in order of ticket purchase. Generally speaking, the earlier you buy tickets, the closer you will be to the stage.
• If tickets are designated as being at a "reserved table," your party will have a table to itself. For general admission or VIP tickets, if your party does not fill an entire table, you may be sharing a table with other patrons.

Vidura Bandara Rajapaksa is a Sri Lankan comedian, writer, & director. His self-directed & self-written comedy specials include Monsoon Season (2022), French Kiss Tunnel (2024), & his most recent special Woodapple Jam (2024). His dead-pan style puts audiences at ease while challenging conventional wisdom with a unique tone that is often irreverent, at times poignant, and always hysterical.